Tag Archives | creative process

“How do you know I’m mad?” said Alice. “You must be,” said the Cat, “or you wouldn’t have come here.”

Berlin April 10

Catching up on my stored Instapaper* articles, I found a piece describing some of the (often strange and ritualised) ways in which acclaimed writers write.

Having spent the last few months twisting around myself, trying to organise the ideas and plans for my novel without going crazy, wondering if it was normal to spend so much time planning that the actual writing of prose seems to be the thing I do least, sitting at a desk buried in layers of post-its and index cards, writing in notebooks overrun with more arrows and crossings out than words - breathe, Rhian, breathe - to read about Ishiguro’s flow-charts, Mantel’s showers and Atwood’s scribbles has reassured me that I might be sane. Or, rather, normal. For a writer. Maybe.

Sounds like I have the ‘create whichever system/state of chaos you need in order to beckon and then trap your ideas’ part of novel-writing right, so all I need to do now is try not to flinch at the prospect of getting my prose anywhere near the level of those masters.

(Um, yes. I only want to read really bad fiction at the moment, stuff that makes me feel superior. Badly punctuated, excessively descriptive, heavy on the speech tags? Bring it on! Cliched or nonsensical characters in overwrought settings? Yes please! I’ve had to put my Maggie Stiefvater* backlog to one side, as I can’t handle the prettiness right now).

The article is here, and if you enjoy reading about the writing process then I recommend the Paris Review interviews – a fascinating collection of interviews with artists and writers, in several volumes. Volume 1 is my favourite, featuring Hemingway, Capote, Dorothy Parke, Joan Didion and Kurt Vonnegut.

*Instapaper ROCKS. Especially if you’re trying to reduce your time online, but don’t want to miss out on good reading. It’s especially useful for me because it syncs with my Kindle.

When I see something online I want to read, say an article about literary agents or a blog post about female YA writers, I click to send it to Instapaper and then The Magic Instapaper Fairies compile everything I’ve saved and email me a mini-newspaper made up of them.

So, I can give myself five minutes to scan Twitter, send any interesting links to my Instapaper account, wave at my friends and then get back to what I was supposed to be doing offline. The next morning, my Kindle receives a document containing anything I tagged, and I read it on the train. I don’t find myself online for hours reading when I should be writing, but I still get to keep up with interesting articles at a time I choose. LOVE. IT.

*the beginning scene in Linger, when Isabel comes into the bookshop? It slayed me, it was written so well. So much is conveyed without ever being explicit – I had to stomp around the house, loudly Giving Up Writing, before I could pick up either the book or my writing again.

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technicolor dreaming

emma coulter

emma coulter

I love colour. In galleries and shops I always gravitate towards the turquoise choker, the neon pink chair, the Paul Smith stripes. Monochrome is chic, but it’s not me. My muse/imagination/the pixie in my head who makes up stories and says things like ‘ooh, shiny!’ loves colour, too. The main character in the novel I’m working on, well – let’s just say she has an affinity with pigment. It was Autumn when I started writing about her, a season full of leaves and sunsets and flu-fever hallucinations, and she’s been throwing rainbows at me ever since.

Here are some images that I’ve grouped on Pinterest as a kind of mood-board for my heroine and the world she creates. When I’m not writing I try to feed my eyes and ears instead – Flickr, Pinterest, 8tracks and Last.fm as a break from Twitter and Goodreads – and this seems to keep the aforementioned pixie happy and ready to whisper more words for me next time I pick up a pen. It’s a fair deal.

franklins footpath, Gene Davis Irresistable highway – I found Gene Davis’s work via this blog

tina mammoser sea wall

Sea Wall by Tina Mammoser

I have already swooned on Twitter about how much I love Tina Mammoser’s work. Click the image for her site.

 streams fo light print from ineednicethings.comWouldn’t this print look great over my desk?  Print from ineednicethings.com

locket from verabel on etsy

And I could wear this locket from verabel when at my desk, sat beneath that print. Go Go Writing Accessories!

 

rainbow door by elsiecakes on flickr

The only problem  I can see with having a front door this cool would be people knocking on it all the time. I mean, I couldn’t just walk past it, could you? Thanks A Beautiful Mess for taking the photo.

One of the reasons I love my Diana camera is because of the unpredictable colours I get. Here’s a couple of my favourites

photo of Hyde Park from my flickr

Flags at a gig in Hyde Park

double exposed meeting house in Falmer

The Meeting House at Sussex University

And finally, my absolute favourite – here’s an image from New York artist Holton Rower, via wtf.com. Follow that link for a video of him making this series, called ‘Pour’ – looks like the best fun ever.

pour by Holton Rower

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Music to Write Girls By

photo © luca for openphoto.net CC:Attribution-ShareAlike

photo © luca


Much typing here at writingislovely towers as I try to get this nth draft finished, in order to begin on the next and meet my deadline. Each draft adds more words, more detail, another layer of paint. Plenty gets cut, too, but please let’s not dwell on wordcount today.

This week I’ve been working on my heroines. Making them strong on the page, making them 3D – even though two of them are, at least in this telling, villainesses. Well, they need detail too, don’t they? Why would all the other characters cower and scatter at their approach, unless they have real substance? These ladies think they’re in the right, they think a Happy Ending is the one where they win and everything and everyone that was once in their way lies blackened and ruined. So, I’ve been spending time with them, imagining them centre stage, figuring out new nastiness for the violent one, new vanities for the cruel one.

And my ‘good’ heroine? Gah, she kept crying through one of the first, skeletal drafts. She didn’t like the forest, or being far from home, and she was worried she would lose and everyone would laugh at her. Okay, I see her point – but the heroines I like to read about, and the ones I want to write, have more courage than that. Of course they don’t like the scary forests, who would – the clue’s in the name, scary – but they figure out winning ways to get through it, tossing about quips and feats of cunning while they are at it. Hmmph. It is not as easy (of course) to write a character who is heroic, yet real, as it is to read one. Someone relatable yet still fantastic enough to warrant a tale. I’m getting there, but it will take a few more drafts ’til I am satisfied.

So. Here are some songs to write heroines by – whichever side they are on, good or evil. I didn’t want anti-man songs, or love songs if I could avoid it – the songs should be about how ace they are, not how rubbish boys are. These are songs that give me a swagger, so I hope that’ll be the case for your characters, as well.

As usual, if you don’t see a player please follow this link to 8tracks.com

(8tracks can only play songs in the same order twice, something to do with copyright & licensing. Here’s the tracklisting for the first couple of listens:

Wang Dang Doodle – PJ Harvey
Not Too Soon – Throwing Muses
The Littlest Birds – The Be Good Tanyas
Gone Again – Patti Smith
Walking Back to Happiness – Helen Shapiro
Rock ‘N Roll – Elastica
Monster Hospital – Metric
Feed The Tree – Belly)

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How other people write

photo © Michael Jastremski

photo © Michael Jastremski

There will be a page on this site linking to books and people whose writing advice made big changes to how I work. Despite the fact that one of the only things I’ve learned so far is that whatever works for me, that’s how to write. There’s nothing more to it. I’m not going to find a list somewhere, written by someone else, that tells me how to do it.

What works for me is that I’m allowed to do whatever it takes to get the work done – for me, word counts don’t work, deadlines don’t either, and imagining being judged will freeze me totally. Jealousy, fear and competitiveness don’t drive me either. Constant reminders that I love what I do – that works.

Treating writing as fun makes me seek out time to spend with my manuscript. Being allowed to do whatever draws me that day – whether it’s writing a scene further along, skipping around the story, or editing instead of composing, or outlining instead of editing – I love all parts of the process, when I get to choose, and so I don’t give myself rules that I must only do, say, X job for 10 weeks and then swap. Because every time I do that I rebel, and I stop turning up. The pens gather dust. Writing feels like ‘work’, and my subconscious hates that word. Sorry to be corny and self referential, but writing is lovely – remembering the joys of that is what gets me back in that chair day after day. And, yes, what named this site :-)

But. But. Before I knew that, when I’d just started trying to write seriously, I found all these blogs by writers and thought if I read them enough I could glean that secret way, that magic list telling me how to keep going until my novel was finished. And good. I freaked myself out a lot, compared myself to others too much and wondered if I was wrong not to be as organised, or as depressed, as energetic or as anti-social, as other people were. As Real Writers were.

not for robots laini taylor Jim Di Bartolo

And then my friend lent me ‘BlackBringer’ by Laini Taylor (which is deliciously good – I adore it!) and I found out that she had a blog, Not for Robots, about what works for her and – ta-da! – loads of it worked for me, too! That silly document I had where I made notes and lists and talked to myself about the other, ‘real’ document where the pretty words were – instead of berating myself for messing around and not doing Real Writing, I now call it my Working Doc, like Laini. Rather than resent that fact that a lot of what I find and decide about the story will be chucked out, changed or never included – I now see it as a useful, exploratory swathe through the trees of what might be a novel, my machetes cutting a plot through the big, unmapped jungle of my story. And when I figure out a problem, or find a detail that I know in my gut is just right, I agree that ‘snick‘ is exactly the right word.

Have a look at her site. Click any of the links or that great cartoon up there (her husband drew it!). Maybe all you’ll find is a reminder that however you work, that’s right. You’re a writer whether you outline, or fast draft, write short stories or epic trilogies, write 17 drafts or three. That alone is valuable stuff. But what you will also find are sage, positive, practical accounts of what works for her and might also work for you. Have a read! Try it out. And then go buy all her books. They rule. You’ll wish you had crows for best friends, too.

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Music to Write Words By


I knew this post about background music was coming up, and I thought about trying to appear learned, discussing studies and suchlike and making a serious point. I was going to do research and links and everything.

But you know it already, don’t you? Background Music = Good. It can transform a load of tedious work into a sing-a-long-a-coding afternoon, it can help you input stats faster, or take you to that ‘zone’ where you concentrate and create. Either you have favourite tunes that you turn to, or you prefer silence but have to play something to drown out the traffic/CBeebies/howling wolves.

Here’s a mix of some songs from my ‘Writing’ folder – they are all wordless, so you won’t start singing along or find that the phrase you thought so original and poetic is actually a Ride lyric (yes, that has happened to me).

I live within earshot of two nurseries and two garages, but that’s not the only reason I have special ‘writing music’. I know that pre-mixed, timed playlists help me focus. The selection I’ve linked to below plays for about 30 minutes, and that’s important. It’s easy to get myself to sit down for half an hour, and while the mix is playing I don’t look up. I don’t need to look at the clock, or my phone, or anywhere other than my notebook or computer screen, because when it’s time to finish I’ll know – the music will end. And I’ll have half an hour of work done.

The music in my writing folder has been played so often now that certain songs sound odd unless I have a pen in my hand. That’s important, too; ritual is good for creativity. My brain knows that The Mercury Program or Tristeza always mean writing, and switches to work-mode faster that way.

Have a listen, let me know what you think, and sort out some playlists of your own. Tweet me your recommendations. They don’t have to be wordless (recently I’ve been playing a lot of Sonic Youth when writing, there’s something motorik about Daydream Nation that trances me out nicely), and if you always get your best work done to Hue + Cry, no one else has to know – just make sure it’s easy to press play when you sit at your desk.
(if you can’t see the player, I think it’s to do with Apple browsers. Have a listen on the site instead while I figure it out).

(8tracks can only play songs in the same order twice, something to do with copyright & licensing. Here’s the tracklisting for the first couple of listens:

1 Stolen Moments – The Six Parts Seven
2 My Only Swerving – El Ten Eleven
3 Dayvan Cowboy – Boards of Canada
4 So Long, Lonesome – Explosions in the Sky
5 Lori – Amiina
6 Open Sea Theme – Sven Libaek
7 Golden Hill – Tristeza
8 Isi – Neu!)

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